Music To Freak Out Stoners: Music Production In the Deep End
August 20th, 2008[editors note: this was written a few days ago]
I’m sitting here going through old libraries of old sound projects of mine.. Projects that in someway anticipate a project I plan on venturing forth on in the not too distant future: The Fresh Meat Project. Music To Freak Out Stoners, or MTFOS, was created in what we call “The JP years.” This was back in the days when “The Doctor” and “Mr. Sketch” where living off in JP MA… lost years if you will.. lots of chemicals in there brains.. and I’d visit on weekends.. MTFS somehow had to do with the psychology of those circles.. and my reaction to them.
This had to have been in.. the very late 90s… I was still on a G3, had just gotten my MOTU 828 audio interface, and started F-Ing around on it… I’d just kinda Jam out a bit.. didn’t even bother mixing the Jam sessions.. which took place on guitar and synths.. this was total experimentation.. just to enjoy the sound quality of the 828.
Around this time period.. my thought was.. I should like to make music that came out of extended jam sessions. The problem was that these jam sessions where.. I’m not sure how to characterize them. They had a kind of out sider art mentality to them.. there were a lot of levels on which they were probably very flawed.. whatever they were, they were so far out there.. that I wasn’t really sure how to turn them into something interesting..
Well now we enter a very different period in my musical evolution where I’m at least entertaining the notion of going off in radically new directions and I wonder if I could facilitate those older directions now. Today I am both a lot more sophisticated musically / production wise.. and I have a lot more sophisticated tools that allow me to work in very new ways, and I wonder if these new possibilities might facilitate the older zeitgeist.
New to my studio.. in particular, is a fretless bass and ReCycle.. Ableton Live has been in my studio for sometime.. but I haven’t really used in the way I’m thinking now.. And of course there’s Melodyne…
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I pick up my bass and start playing.. kinda all the time. It seems not at all infrequent that I’ll get into a mode where everything I play I think sounds good.. sounds interesting.. these little jam sessions. I think about taking them into my computer, recording them.. composing with them.. where might I be able to take them?.. what could I do musically?
While I have many ideas.. one idea I find quite appealing is the notion of repeating exactly what I did with MTFS.. accept.. when working with a synthesizer.. record only the MIDI.. when working with a guitar.. make sure there’s no transience recorded with it.. Between Melodyne and MIDI I could take the results and sculpt it into something. But what?
Part of the idea is something along the lines of capturing a raw moment.. How differently you think when you’re thinking in real time.. improvising, versus composing my usual ways..
I feel that this is a path I must go down.. a journey I must make.. even as I don’t really have a lot of confidence in it.. It seems like its important for the completion of a musical style I have yet to totally create….
Let me see if I can get serious in talking to you about this stuff.
What do we have thus far?
- Electronic Music Composed: I sit in a sequencer and program the sequences and the Mix. This method is the most sophisticated / mature.. of my processes.. I mean I’ve taken this method further then any of my other methods.. thus I tend to want to stick to it simply because its something I can rely on for good results.
- Electronic Music Improvised: We are talking about some sort of a process by which.. via tweaking various parameters of some kind of a sound generating device… music results. These results could be further processed, or edited, or whatever.. in order to be used as building blocks of a more programmed music.. we see this sorta thing Starting in Zar Matt A Thustra’s Deep Space Adventures.
- Guitar based song writing: I sit down on my guitar, or perhaps now even my bass, and I play, come up with riffs, put riffs together.. create a song idea.. produce it..
- I improvise out some sorta performance… on real instruments.. wether we are talking a keyboard to control synths.. or we are talking about guitars and bass.. maybe something going on with a microphone.. and we sorta do something with this.
So these are our basic processes. The question then becomes how do we integrate them.. how do we bring them to some level of maturity.. where there possibilities become great; a sum more then the parts?
The answer lys, no doubt.. in continuing to work on each of these processes, going down each path.. taking it to its logical conclusion… building a library of raw material.. and playing with making stuff out of that raw material.
As near as I can tell this is a long term project.
A couple days latter:
I think I’ll just post this as is.
